Monday 29 April 2019

Is the Cheap Streaming TV Dream Becoming an Expensive, Complex Muddle?

     Image credit: Qilai Shen/Bloomberg News
                           
Has the Entertainment Nirvana Not Yet Materialised?

As the Washington Post recently reported: “The dream of cutting the cord on pricey cable TV services went something like this: Consumers could get what they wanted, when they wanted, while saving money because they wouldn’t be paying for expensive bundles of channels they never watched. Snip, save, enjoy” [1]. But where is this promised Nirvana?

                                                   Image credit: The Economic Times

A Mini History

At the start, American consumers who were keen on streaming internet video, needed to subscribe to expensive broadband services. – Ironically though, these were often brought to them by the same cable wires they yearned to sever. - Then, Hulu, Amazon, Netflix, and other such services appeared on the scene – but they came at a price. And after this, more remotes, boxes and wires cluttered the living room.


But What About Everyone's Favourite American Staples & Sequels?

Although it can be said that the country's staples, spinoffs, prequels and sequels, will still be accessible on other platforms for a certain period, Disney is set to slowly remove them so that they are only shown on its own Disney+. Naturally though, this will mean forking out for yet another monthly sub, this time $6.99 [1].

It’s not going to come for free... People want to watch their ‘Breaking Bad,’ ‘Mad Men,’ and that stuff costs a fortune” [1].

Craig Craig Moffett, an industry analyst at MoffettNathanson, stated that: “If cord cutters thought there was some way they were going to evade the tyranny of annual price increases, they were deluding themselves [1].” Harsh? - Yes. Future reality? - Not necessarily...

Disney officials have stressed that the company's aim: “is to achieve revenue through reach, not overcharging” [1]. In its first year alone, Disney+ is on course to bring out 10 new films and 25 episodic series. Moreover, five years down the line, users should be able to enjoy a whopping 50 episodic shows [1].

When compared to Netflix's most popular monthly plan, Disney's offer comes out at just 50% of the price. - That's right – only half the Netflix bill... And this could be even lower if users want to commit for 12 months. This means that consumers are able to make a decent savings, thanks in part, to Disney's shrewd investments in its theme parks and box office productions; not to mention revenue from its other non-subscription services, and television ads [1].



Yet Moffett declares: “Every economist in the world tried to warn that the outcome of that system would be higher prices and less choice. And lo and behold, that’s where we landed [1].” But is he right? And will up and coming, unique, cutting-edge next gen global platforms such as OONA TV, which offers free AVOD, and subscription based VOD, come up with another way?

                                                Image credit: Peaceful Anarchism 

The Great Debate

Analysers within the entertainment industry, are divided over the inherent reasons as to why this situation has come about. One cohort, Moffett included, believe that the inevitability of this outcome was due to a number of foreseeable reasons: “Americans want the best, coolest shows, and these cost a lot of money in actors, set costs, big-name directors and special effects. Even for a television show, these expenses can run into the millions of dollars per episode” [1].

                                                       Image credit: Gulf News "End Up in Debt"

Yet, on the other side of the divide, the group's perspective is that the industry’s mega players are at fault for: “reasserting their control over pricing in a way that disadvantages consumers — and Washington for allowing that to happen” [1]. At the end of the day, however, whatever the reason – unless something changes, consumers stand to make a financial loss every month, while streaming providers roll in their profits [1].

Unfulfilled Dreams?

When it comes to the end game, as it stands right now, there is little debate. Cord cutters' hopes have been largely severed. Moreover, the evolution which some users believed would empower them with more selection, reduced subscriptions; and an easy to use entertainment service, has in reality, resulted in frustration due to the unwelcome complexity. And while there may still be a better choice on offer: “each of these comes with price tags that, taken together, may well approach the cable bills of old” [1].

Getting What We Want For a Decent Price

Spokesmen at Disney+ made the very valid point that their platform is especially suited to users who crave simplicity. - And this is no doubt, a welcome alternative to: “the thousands of scattershot shows and movies on Netflix. [Moreover], Disney executives said they would offer a streamlined set of offerings from their popular content brands including Marvel, Pixar, and Lucasfilm” [1].

Research conducted by Tony Gunnarsson - a leading Ovum analyst, indicated that most consumers are only prepared to subscribe to 2.25 streaming services. Moreover, leading figures in the industry believe that although the market is likely to accommodate Disney, other streaming platforms will not have that Walt magic [1].



So What's the Solution?

In one word – OONA. - This rapidly up and coming new OTT TV kid on the block, is set to revolutionize the industry, as unlike other players, it puts consumers in the front seat. Why? Well, not only does it offer an awesome free on-the-go and at home entertainment service via the OONA app; it empowers users with a fantastic selection of hundreds of top local and international channels; it even rewards them with a virtual currency (redeemable for a broad range of branded goods and services, discounts, and free telcom products), just for watching and sharing what they love. And if consumers want to pay a sub to Disney or Netflix, etc., then this addition can sit on top of their OONA TV base.



Doing the Math

This ideal scenario means that millions of people in the US and indeed all over the world, will be forking out far far less of their hard earned money per month, and they will have the simplicity that the Disney execs were talking about. And if users want special live baseball and other sports specials, and exciting new content, then they can subscribe to the OONA+ SVOD service. - This has so much flexibility, and you can even request it just for special occasions, such as on certain weekends, or when your family are on holiday. So what could be better than that?

Making an Impact

OONA is currently set up to serve 185 million Indonesians, and is well on its way to being established in the US, other parts of Asia, Europe, Africa, South America and the Middle East. Headed by leading digital strategist and AI expert, Christophe Hochart, the platform's ethos has been the same ever since he founded it a few years ago: to put consumers first; give telcoms, studios and content holders an unbeatable deal; to empower billions of people with free access to top entertainment, so they do not have to go to pirate sites; reward loyal users with a virtual currency which can be used for countless goods and services; and offer the latest cutting-edge customer functions such as: making your own channel; and OONAbot, the AI genie in the app who personalizes content, and arranges personalised ads which can help consumers save time and money.




Reference


[1]. Zeitchik, Steven & Timberg, Craig (2019). “How the dream of cheap streaming television became a pricey, complicated mess.” Washington Post.




Sunday 28 April 2019

Meet Christophe Hochart at Video Exchange Asia 2019, Bangkok


Meet leading digital strategist and AI expert, Christophe Hochart, the CEO and founder of OONA TV, which is currently set up to serve 185 million Indonesians with its unique cutting-edge AVOD and SVOD models, and is well on course to serve billions of people in other parts of Asia, the US, Africa, South America, the Middle East and Europe. Hochart, along with other industry leaders will be a key speaker at Video Exchange Asia's 2019 event entitled: COLLABORATION. DIFFERENTIATION. TRANSFORMATION. THE SHAPE OF APAC'S VIDEO ECOSYSTEM. 


This much anticipated, innovative event organised by Exchange Asia will take place between 7 - 8 May 2019, at the AVANI Riverside Hotel, Bangkok. Its mission is to unite the diversities of APAC for OTT, and broadcaster and telco leaders, which will spark interesting discussions about various strategies, as well as the implementation of the latest technologies that can accelerate the growth of the industry.

There will be 40 expert speakers including: OONA's CEO, Christophe Hochart; Iflix's Thailand Manager, Kimmy Suraphongchai; CTO of HOOQ, Michael Fleshman; and Pasu Srihirun, Executive Director of Broadcasting Policy and Research Bureau at Office of the National Broadcasting and Telecommunications Commission.

Agenda With Christophe Hochart

May 7: 16.45 to 17.30

Panel Discussion: How can service providers negotiate a commitment to both OTT and Linear TV?  
  • What are the most successful business models for an over saturated market?
  • Have you found the right platform for your content?
  • Addressing user experience – multi-screen – seamless viewing OTT and PayTV
  • Maintaining high ARPU Pay-TV subscribers whilst offering flexible options for young and cordless audiences.
May 8: 11.40 to 12.25

Presentation: How can the successful measurement of media consumption habits be harnessed into new opportunities for monetization?
  • Harnessing statistical analysis for the identification of control variables that directly impact TV viewing habits
  • Is access to viewer data and analytics key to harnessing growth strategies?
  • How can you deliver the right content to the right audience based on targeting and data analytics to deliver richer and more engaging features?
  • How can PayTV rating models help operators identify the most profitable channels to achieve optimal advertising revenue?
  • How can advertisers aggregate viewing communities and what are the e-commerce possibilities?














 









Thursday 25 April 2019

Global SVOD Services Set to Reach to $36 Billion This Year

                                                 Image credit: Bandt

Is Watching Video the latest Cool Lifestyle Trend?

Analysing recent research published by Futuresource Consulting - a firm which specialises in market research, forecasts, and strategic insights into entertainment, media and technology, it is apparent that: “The Global Subscription Video on Demand (SVOD) landscape continues to evolve at a rapid pace as consumers in all regions embrace streaming subscriptions. SVOD is becoming an integral part of the video viewing lifestyle. 2018 saw: [the launch of new innovative next generation platforms such as OONA TV, which is set to offer its SVOD and AVOD services to 185 million Indonesians, and is well on course to offer the same to billions of people in other parts of Asia, the US, Africa, the Middle East, South America and Europe]; in addition to a substantial number of other companies which have re-aligned strategies against a backdrop of major media acquisitions, setting the scene for the next wave of SVOD evolution in 2019 and 2020” [1].


So What Is Driving This Unstoppable Trend?



Firstly, more and more people are boosting their enjoyment factor by forking out for smart televisions; secondly, broadband quality is improving significantly; and thirdly, consumers are now being offered an excellent choice of services [1], such as the extensive range of OONA+ Premium options, which offer great flexibility, and suit everyone's lifestyle and pocket book.  

Netflix & Amazon Prime Video accounted for 2/3rds of all subscriptions globally in 2018” [2]

Futuresource's findings indicate that subscription video-on-demand is currently being enjoyed by over 60% of North American households, 26% in Western Europe, 21% in the Asia-Pacific region, and 19% in Latin- America [2].
In regard to SVOD spend on Netflix and Amazon Prime, however, these two entertainment giants were shown to have dominance over close to 2/3rds of the market. - Netflix came out on top in regard to revenue, subscribers and headlines, adding a massive 31 million paid viewers last year. Moreover, it has enjoyed its most flourishing quarter thus far [2]; although its future, which will involve mega competition, may not be all plain sailing.

Ideal Conditions For SVOD Growth

Futuresource Consulting's Principal Analyst, David Sidebottom, noted that: “In 2018 we saw... Disney’s acquisition of Fox, along with the completion of AT&T’s acquisition of Time Warner [which] are making themselves felt. With both intending to launch direct-to-consumer (D2C) services, this will shape the SVOD landscape in the USA and, in the longer term, worldwide [3].

Giving Consumers What They Want

The movers and shakers at platforms such as Netflix and OONA, are mindful of Sidebottom's perspective, that: “Consumers are seeking a combination of functionality, high-quality original content and low price.” And this is exactly what they should get...

Customer Confusion & the Battle For the Living Room

Sidebottom emphasises the fact that viewers are confronted with an increasingly perplexing video landscape; and that relationships between trusted content aggregation, or Pay TV platforms such as: Apple, Roku, Amazon channels, and even Pay-TV companies, will prove a crucial navigation aid. Further, because of the enormous number of existing users, Amazon and Apple are both in an advantageous position to do extremely well in the approaching fragmented macrocosm of aggregation. However, in the case of both mega giants, at the present time, omnipresent content is lacking on the international stage. Yet, regardless of this, this new breed of ‘super aggregators’ is set to become a crucial factor in the battle for the living room - although, in many ways, they have not realised the three essential requirements demanded by the consumer: price, quality and original content [3].


The OONA Advantage

Lead by founder and CEO, Christophe Hochart, digital strategist and AI expert, OONA is the new kid on the block using the flexibility of the latest technology. OONA offers channel and content holders multiple ways to drive substantial revenues from their channels via the OONA platform. This includes: Programmatic Video Advertising, Display Advertising with User Mobile Engagement, Pay Per View, Subscription, and more. OONA's global model adapts to each single market without changing its first-class universal user experience. The TV landscape, media content and economics of a particular country, remain the same, and every OTT solution is framed using a custom designed model which is beneficial to the channel company, the telcom, and the user.

OONA's state-of-the-art futuristic and customer-focused attributes, along with its highly beneficial business models, have empowered OONA to shoot up the ranks. - It is now listed as one of the top 5 video-on-demand platforms in South-East Asia (2018), along with HOOQ, Viu,Viki and Catchplay [4]. Further, OONA is classed as one of the top 10 video-on-demand platforms in the Asian continent in 2018, along with the aforementioned platforms, and iflix, LeTV, TenCent Video, Iqiyi and Youku Tudou [5]. Moreover, Digital TV Research has forecast that although Netflix is running in at fourth in subscriber rankings, it will nonetheless, have a slim edge if it wants to top the 2024 SVOD revenue chart [4].

References

[1]. Futuresource (2019). “Futuresource SVoD Status & Outlook Report - Worldwide Apr 19.”

[2]. O'Halloran, Joseph (2019). “New services set to drive global SVOD revs to $36BN in 2019.” https://www.rapidtvnews.com/2019041855816/new-services-set-to-drive-global-svod-revs-to-36bn-in-2019.html?utm_campaign=youtube-to-launch-on-fire-tv-as-prime-video-comes-to-chromecast-android-tv&utm_medium=email&utm_source=newsletter_2091#axzz5lXQIJ3vI Accessed 22 Apr. 2019.

[3]. Futuresource 1 (2019). “New Services Set to Drive SVoD Revenues up 25% to USD$36 Billion in 2019.” https://www.futuresource-consulting.com/press-release/media-entertainment-press/new-services-set-to-drive-svod-revenues-up-25-to-usd-36-billion-in-2019/ Accessed 22 Apr. 2019.


[5]. VdoCipher (2018). “Top 20 Online VOD Platforms in Asia [Updated 2018].”

Sunday 21 April 2019

An Untapped Advertising Opportunity Arises as the OTT Arena Expands


People spend more time watching OTT content than they do driving a car or talking to friends and family” [1]

As the media landscape continually evolves, streaming wars battle on regardless, and the pile of cut cable cords gets even higher, a lot of people are asking “how many streaming services are we going to need to get the content we want?” - And this begs the questions, how many services can the market actually handle? [2], and where is the untapped advertising opportunity?



Survey

A survey of more than 2000 verified over the top, adult service users, was recently conducted by The Harris Poll and the global ad exchange platform, OpenX. The results show the massive popularity of OTT services [such as OONA TV], and what appears to be a huge untapped OTT advertising opportunity. - Further, when it come to TV ads, this chance can be harnessed by media buyers and advertisers alike, so they are empowered to target their audiences with far more precision – a game plan which leads to much better revenues [1].



As noted in Forbes, the results of the survey confirm that: “more than half of all American adults are consuming OTT content like movies, complete seasons of popular series, original content and programs such as documentaries, concerts and stand-up comedy specials from services like Netflix, Amazon Prime, Hulu and now Apple, either to supplement or completely replace legacy cable and broadcast” [2]. Moreover, a whopping 61% of Americans have a smart TV [1].

Is the Grim Reaper Really Going After the Future of Broadcast Satellite & Cable TV?

Well, the OpenX poll seems to indicate it is. - This is particularly so in the case of Millennials, who are replacing aging Baby Boomers (the original target) [2]. Here are some other findings:
  • Millennials who have a sub to at least one OTT service, view over twice as much over the top content as live TV
The most popular content viewers want is films, followed by TV shows (scripted); followed by live news & sports (both of which are believed to be responsible for keeping broadcast & cable going)
  • Millennials spend over twice as much time viewing OTT content, when compared to live TV
  • Under 40% of Millennial over the top consumers are planning to retain their cable package
  • Close to 2/3rds of cord cutters: “are more like 'cord burners'; they say it has noticeably improved their life and there is nothing a cable company could do to lure them back into having a bundle” [2].
OTT Rules

OpenX 's Chief Communications and Brand Officer, Dallas Lawrence, stated that: “We are clearly at a tipping point where OTT is mainstream. These are not passive viewers dipping their toes in. These viewers want lots of content – 2.5 hours per day on average – on multiple services” [2].


But What About Market Saturation?

When it comes to pondering over how much, even the most devoted of streaming enthusiasts will be able to stretch their monthly subs budgets to: according to OpenX's research, the answer is “up to $100 per month for about 15 channels/outlets” [2]. - But even with fierce competition, and the eminent launch of mega production services such as Disney, Comcast/NBC, and ATT/Warner Media, that really does sound like hard work, chopping and changing platforms, not to mention forking out $1,200 per year, with annual increases.

Keeping Life Simple

Consumers who have this kind of outlook, may be more keen on sticking with just one OTT next generation app, such as OONA Free AVOD (ad-based live and video-on-demand) interactive TV, which provides: hundreds of free top local and international channels on the go, or at home via OONA app casting; a cool genie in the app named OONAbot, who personalizes content; and even get rewards viewers in the form of a virtual currency (tcoins), just for watching and sharing the content they love.

Moreover, they can go for an OONA+ premium SVOD (subscription live and video on demand) option, which covers a broad choice of flexible options to suit every pocket book. After all, as Lawrence notes: “Consumers are overwhelmed, they want simplicity. Most of all, they want to make their own skinny bundles, picking and choosing across different services through a single interface” [2]. And that is exactly what OONA TV is striving to offer.

Currently, OONA is providing its unique service to 185 million Indonesians, and is well on the way to delivering the same to billions of people in other parts of Asia, the US, Africa, the Middle East, South America and Europe.

One Interesting Finding

It may come as a surprise to some, that survey respondents stated there are no particular OTT exclusive original programs, which hit their top 10 list. Lawrence recollects: “We asked an open-ended question and discovered that, for all the billions that Amazon, Netflix, Apple and the others are pouring into original programs, the viewers’ favorite shows on OTT are things like Game of Thrones, Walking Dead, Friends and The Office” [2]. Moreover, he points out that, while specialized content is a great way to maintain and capture new subscribers, this factor alone, does not have enough pull to make subscribers loyal to one particular platform [2].

Re-Working TV Advertising

After cable TV, the most likely industry to be disrupted by OpenX's research results, is advertising. As Lawrence notes, in 2018: “brands spent $70 billion advertising to TV audiences, mostly using a media strategy that look more like 1995 than 2018” [2]. - Strong words indeed... But the rub that Lawrence points out here, is that: “only 5% of all ad dollars go to OTT, even though more than 50% of the audience is there” [2].

This strategy not only constricts the scope of advertising power; it also leaves out vast opportunities. The latter is due to the unique way that OTT audiences respond to adverts - especially when they are viewing them on smartphones, and other mobile devices. The research indicates that a massive 40% of all OTT viewers will: “pause a commercial on their phone, search for info on the product, and display intent to purchase. That suggests that OTT advertising could yield tremendous benefits if brands can figure out the right approach with good creative and strong calls to action” [2]. - Now that certainly is exciting news...

The Movers & Shakers

As movers and shakers in the industry, such as leading digital strategist and AI expert, Christophe Hochart, founder and CEO of OONA TV, understand: at the present time, advertisers find the over-the-top market difficult to address. - This is due to the fact that OTT providers disagree on the best way to adapt to this new form of advertising. For example, a number of prominent platforms such as OONA, offer various choices. OONA empowers millions of viewers with its free ad-based service, and its OONA+ premium ad-free options; whereas some platforms are completely closed to showing any adverts, thereby rendering it extremely hard for ad companies to devise a general strategy which is compatible with the overall landscape [2].

The research shown in the survey, finds that:
  • 72% of OTT viewers realize there has to be a trade-off between having access to free content, & allowing advertisers to utilize their data - which will enable them to show the users particular ads. Further, the majority of respondents noted that if the ads are relevant, then they are not disturbed when they see them
  • 46% of OTT consumers are happy to shell out $10 per month for an ad-free service
  • 25% of viewers prefer an ad-based free service
  • 29% of customers would like a hybrid model with a lower monthly sub & few ads
  • Users are happy to fork out as much as $24 per month for a single service premium package [2].
Lawrence believes these results imply that at the present time - where ever over-the-top providers fit on the advertising subscription fee continuum, it is likely that within the next 1.5 to 2 years, the majority of top platforms will come up with a model [similar to OONA's], which incorporates tiered pricing, with the minimum of one ad-supporting option to meet the needs of all of the above listed customer segments [2].

Great Expectations

Forbes makes the point that one may feel that: “the business model of OTT services, which requires users to sign in to use the services, presents a greater opportunity for ad targeting and personalization” [2]. Lawrence's take is that this direction shows great expectations, and will “dramatically impact the creative process that ads undergo" [2]. He does however, think that: 1. Advertisers must have a more loaded creative inventory, so they can charm individual audiences and sub-segments; and 2. That improved methods of serving the ads are essential. - This includes advertising on platforms which are nearer the digital web landscape than the increasingly bygone broadcast market [2].


OONA OTT – Making Advertising Simple 

Using the flexibility of the latest technology, OONA offers channel and content holders multiple ways to drive substantial revenues from their channels via the OONA platform. This includes: Programmatic Video Advertising, Display Advertising with User Mobile Engagement, Pay Per View, Subscription, and more. OONA's global model adapts to each single market without changing its first-class universal user experience. The TV landscape, media content and economics of a particular country, remain the same, and every OTT solution is framed using a custom designed model which is beneficial to the channel company, the telcom, and the user.  

The 3 Steps For Advertisers
Number 1: Engage Directly with Your Viewers

When advertisers own the relationship with their users, this not only empowers them to build a strong community of fans; it also drives viewership and brand loyalty through targeted tcoins campaigns in order to reward returning viewers – and not anyone else.

Number 2: Know Your Customer

OONA's tracking tools allow advertisers to easily visualize their content performance and their viewers' profile, in order to optimize their presence on the OONA platform, fine tune their pricing, and maximize their revenue. Further, the advertiser's team gets direct access to all the data, in total transparency.
Number 3: Adjust Your Business Model

The OONA platform provides a broad, flexible variety of services and business models, live or on-demand, free or pay. Advertisers decide what content, and which services to offer, and very importantly, they set the pricing [3].

OONA's Innovative Strategy to Stimulate Viewers to Watch Ads

When OONA was first conceived, its founder, Christophe Hochart, looked outside the box for workable strategies within the growing advertising ecosystem. He focused on monitisation technology, and attaining valuable deep data, as well as a way to attract viewers to watch the ads they are interested in. Being an early supporter of AI and machine learning, one of the unique ideas he came up with, was to create a patented helpful personal assistant named OONAbot (the genie in the OONA app), to ensure that viewers can enjoy content personalisation through: accessing their favourite programs and live content, as well as the kind of helpful ads that interest them, and can save them time and money.

"Part of what makes a publisher’s audience so valuable is their audience data" [4]

In order to get the right personalised ad fit for each viewer, OONAbot has regular conversations with users so they enjoy relevant, compelling experiences. She continually finds out more about them and their lifestyle, as well as the products and services they use, and are interested in. The latter is vitally important, as it seamlessly amalgamates relevant ad content into the digital consumers' experience. - After all, there is no point in showing ads that viewers will just cut off.


In addition to this, OONA's leverage of deep data generates contextually connected results for targeted consumers based on their personal interests. - And this allows advertisers to take a higher level of control over their campaigns. It also has to be noted, that all the personal information that OONA collects, is kept strictly confidential. Moreover, at the end of the day: “shifting consumer expectations of ad experiences and personal data usage will drive innovations in ad transactions and delivery” [4].


A Fun Virtual Currency

In order to have success with OONA's ads, Hochart also devised an ingenious system whereby viewers can accrue loyalty rewards in the form of tcoins. - The latter is a virtual currency which rewards viewers just for watching content and personalised ads; sharing the content they love with friends and family; sharing a referral code on social media; and interacting with OONAbot. These tcoins, which are stored in a virtual wallet, can be exchanged for a broad range of branded goods, discounts, fun days out, discounts, free telcom minutes and various telcom products, and entry to exciting bid'n win competitions.

So in practice, Hochart has laid the groundwork for ensuring that the data the OONA platform collects, is an effective asset. He notes that: “While there has been an upsurge in data sources, and the means to collect it; for the purpose of actually utilising it to propel the business, we focus on first-class data management in order to achieve the unity, timeliness, and wholeness of consumer data which will drive accurate results. In addition to this, we continually work on applying new patterns so we can integrate the information, and apply new techniques such as machine learning, in order to achieve optimal results. All the tools we utilise involve privacy-complaint methodologies, therefore, consumers' personal data is always safeguarded, and users can have total confidence in us.”


Matching Viewers Elevated OTT Entertainment Experience

SpotX reports that a recent IAB study indicates that: 73% of Americans (aged 18-plus), who regularly stream OTT video, said they watch ad-based video on demand. To that end, advertisers have to come up with innovative ways to duplicate users' elevating experience with over-the-top content [2]. As do the platforms themselves. OONA Global TV is an excellent case in point.

OONA's Free cutting-edge broadcast quality AVOD service personalises ads for each and every user. Further, its Ad Quality Control team like to work in unison with advertisers to ensure that the ads that are shown are cool, interesting and uplifting. - That way, the consumer experience is seamless and remains elevated. - No one wants boring interrupting ads that they are not the least bit interested in. Moreover, when a user’s “app experience is characterized by ads constantly buffering or the same ad playing repeatedly, they’ll probably find a new app” [4] within minutes...

                                           Image credit: IBM Cloud Private



References


[1]. O'Halloran, Joseph (2019). “Untapped ad opportunity in mainstream OTT arena.” Rapid TV News. https://www.rapidtvnews.com/2019041255689/openx-finds-huge-untapped-ad-opportunity-in-mainstream-ott-arena.html#axzz5lHQtGaMr Accessed 17 Apr. 2019.

[2]. Salkowitz , Rob (2019). “How Much Streaming Can We Take? New Data Sheds Light On The OTT Revolution.” https://www.forbes.com/sites/robsalkowitz/2019/04/10/how-much-streaming-can-we-take-new-data-sheds-light-on-the-ott-revolution/#1b3e90ce6407 Accessed 17 Apr. 2019.

[3]. OONA Channels (2019). https://www.oonatvchannel.com/  Accessed 17 Apr. 2019.

[4]. SpotX (2019). “Predictions for OTT, traditional TV, online video, data activation, and transparency.” https://www.spotx.tv/resource/2019-video-advertising-trends/ Accessed 17 Apr. 2019.

Wednesday 17 April 2019

2019: Asia-Pacific Total Ad Spend to Rise 6.2% According to Media Partners Asia

                                                     Image credit: CMO Australia

"In 2018, Asia Pacific’s net ad spend surpassed US$180 billion. It is predicted to reach almost $195 billion this year, according to Media Partners Asia (MPA)" [1]

Research compiled by Media Partners Asia (MPA) - a top independent research provider based in India, Singapore and Hong Kong, which is concerned with media, entertainment, sports, telecommunications and tech industries, recently released a report entitled: Asia Pacific Advertising Trends 2019. This indicates that although: "TV ad spend remains important across the major 14 markets, MPA predicts that by 2023, digital's share of ad spend across the region will expand from just over 50% in 2019  to 59% by 2023, with online video contributing 20% [1].

Outlook Across the Asia Pacific in 2019

MPA analysts predict positive advertising growth within the region, as far as 2023, with beneficial ad increases in virtually every market. Moreover, the firm anticipates that by 2023, the area's net advertising spend will reach $235 billion overall. – A figure which corresponds to a 5.4% compound annual growth rate from 2018. Of note, it is believed that Thailand's, the Philippines', Indonesia's and India's elections will play a role in hiking up this year's ad prospects; and that Indian Premier League and World Cup cricket will help facilitate this ad boom [1].

Image credit: Performancein

Putting the Spotlight on India & China

Media Partners Asia's executive director, Vivek Couto, noted that: television is still an advertising keystone within the Indian market, regardless of the fact that there is a strong startup economy, as well as reasonably priced high-speed broadband, which powers advertising on the internet in tandem, particularly in the case of online video [1].

Couto stated that: in 2017, due to macro difficulties, China’s advertising market slowed down from a growth rate of 10.3%, to its 2018 figure of 7.8%. Further, there has been an ongoing descending television trajectory. - To that end, a clean-up of online advertising is absolutely essential. Yet regardless of this, the prospective advertising market for China remains reasonably strong. Moreover, the predicted compound annual growth rate (CAGR) of 10% for online advertising between 2018 to 2023, is surely fuelling the overall rate of growth [1].

Feeling the Pressure

TV advertising across Asia Pacific contracted by 1.9% in 2018 and will be down by 1.4% in 2019” [1]

While television advertising is still important, it is nonetheless, subject to serious near-term macro problems [1]; and is understandably being squeezed out by next generation cutting-edge online OTT free-to-air and SVOD video platforms, such as OONA TV
This is particularly in the case in Indonesia, Thailand, Korea, Japan and Australia. In fact, broadcasters in certain markets – especially Indonesia, Korea, Japan, India, Hong Kong and Australia, are gaining a share in online video advertising due to their own branded ad-based video-on- demand platforms [1].

A Case in Point

OONA, in conjunction with mega telcom giant, Telkom Indonesia, is currently set up to provide its next generation entertainment service (which comprises hundreds of top international and local channels), to 185 million Indonesians. Just two reasons for its incredible popularity are: 1. It offers a number of flexible excellent viewing choices which users can change to suit their requirements. - And this includes its data and subscription- free service, so no one is left out; and 2. Consumers are given virtual currency rewards for their loyalty. 


Shifting Dynamics

Couto noted that the drastic transformation in online video and TV, is likely to bring about more acquisitions, mergers and consolidation. - Particularly regarding Thailand, Korea and Indonesia, as well as other South-East Asia markets [1].

In Media Partners Asia's latest report, now in 2019, the Philippines are likely to enjoy the fastest advertising growth within the Asia Pacific region. - Its net ad spend will probably increase by 15.2% due to growth in the digital sector, and the nation's elections. Next on the list is India, which has a projected advertising growth of 11.8%, followed by Vietnam at 8.8%, Indonesia and China both at 7.6%, and Thailand at 5.3% [1].


Prime Markets

The prime markets which are set for advertising growth between 2018 and 2023, include: India, with a 10.7% CAGR; Vietnam with 8.8%; the Philippines with 7.5%; and Indonesia with 5.6%. Further, due to the surge in digital media, the advertising spend in Australia's and Japan's enormous mature markets is expected to increase by 2.4% and 4.3% respectively, throughout this period [1].

MPA notes that although it is slowing down, China will still hold on to its lead position as the region’s: “biggest dynamo of advertising growth, accounting for 65% of new ad dollars in the region between 2018 and 2023. India will contribute 11% of incremental spend in the same period, followed by Japan (10%) and Australia (5%)” [1].

Moving On Up

With regard to market size, India is placed to overpower Korea this year; and by 2023, it will overwhelm Australia to claim the title of Asia Pacific’s third biggest ad market, behind China and Japan [1].

OONA TV Set to Shake Up the Video Industry


"Just Launched: IndiBOX, OONA@Maxstream & OONA@Indibox" 

The Telkom DIGI Summit 2019, was the ideal venue for Telcom Indonesia to announce that it is directly managing the development of OONA Indonesia, while the latter is supporting Telkom Indonesia to achieve its digital TV ambitions. Further, Telkom has picked OONA TV as its main partner in the launch of its exciting new TV Box service, IndiBOX, which will be enjoyed by millions of people.


This means that Telkom consumers can watch hundreds of OONA TV's top local and international channels using their free data packages on their mobile devices via Telkom's Maxstream video package. Originally, this advanced entertainment application was targeted at five million families from the 18 million who already receive broadband. Now, they will all be offered Indibox combo packages which incorporate free OONA TV packages and Telkom's fast internet.


This will give OONA users a brilliant non-stop first-class entertainment service. Moreover, they will receive loyalty rewards in the form of OONA TV virtual currency (tcoins), just for watching the shows they love, sharing content, and interacting with personalized ads. These tcoins can be redeemed for a broad range of branded products and services, as well as various telcom products.


These new developments put OONA and Telkom Indonesia firmly at the forefront of the region's digital entertainment industry. Further, it empowers OONA and Telkom so that they are in a position to offer the latest tech for AVOD, TVOD, and MSVOD services, which can be enjoyed by countless millions.

 Jody Hernady, SVP of Media & Digital Business & EGM Digital Services Division at Telkom & Christophe Hochart, Founder & CEO of OONA Global

Digital strategist and AI expert, Christophe Hochart, the founder and CEO of OONA Global, said he is very confident that this new management will guarantee OONA Indonesia's success. Hochart remarked: “Look out for further developments and advanced innovations including super unique features and extraordinary content from TV channels and local and international studios.”  

Making Global Ambition Come True & Giving Users the Best Deal 

OONA's ethos has always been to put the customer first - and now, more and more people will be able to discover the very best in entertainment, OONA style. The company is firmly on course to offer its unique interactive TV service which is currently available to 185 million Indonesians, to billions of people in other parts of Asia, the US, Africa, the Middle East, South America and Europe. This will include OONA Free TV, and OONA+ premium options, which incorporate an exciting range of different packages to suit everyone's needs and pocket book.  


Channels, Content Holders & Telcoms                          

Using the flexibility of the latest technology, OONA offers channel and content holders multiple ways to drive substantial revenues from their channels via the OONA platform. This includes: Programmatic Video Advertising, Display Advertising with User Mobile Engagement, Pay Per View, Subscription, and more. 

OONA's global model adapts to each single market without changing its first-class universal user experience. The TV landscape, media content and economics of a particular country, remain the same, and every OTT solution is framed using a custom designed model which is beneficial to the content holders, channel companies, telcoms, and very importantly, to the countless users who are making OONA a big part of their lives.


[1]. Hawkes, Rebecca (2019). “Asia-Pacific total ad spend to climb 6.2% in 2019, according to Media Partners Asia (MPA).”