Wednesday, 31 October 2018

Asia Video Summit 2018: A Report by Christophe Hochart, Founder & CEO of OONA TV


Leading digital strategist, Christophe Hochart, giving his perspective at the Asia Video Summit

The Hong Kong Intercontinental with its magnificent high octane panoramic views, was the perfect venue for the 2018 CASBAA summit entitled: The State of the Video Industry. - This was an electric get together where thought leaders who are the top the tree, shared their take on the incredible rocketing TV revolution that is taking the world by storm. It was also geared to make CASBAA, Asia Pacific's renowned trade association that oversees the video industry and ecosystem, more robust.

Running from the 29th October to 1st November, 2018, it put the spotlight on how this dynamic industry is changing, and how CASBAA is reinventing itself, and is set to increase its mission and scope in order to embrace Asia's all-encompassing video industry and ecosystem. Moreover, this transformation represents an exciting opportunity for this state-of-the-art trade association to pioneer and generate new creativeness. 

With 94 thought leaders including: Louis Boswell, CEO of the Asia Video Industry Association (AVIA); Gavin Buxton, Managing Director of SpotX; Tony Zameczkowski,VP of Business Development - Asia Pacific, Netflix; David Weiland, Executive Vice President, Asia, BBC Studios; and Greg Armshaw, Head of Sales, Brightcove; it was the perfect opportunity for 500-plus attendees to learn more about the success stories, challenges, disruption and consolidation transpiring within the industry, and how embracing change can drive success.

I personally enjoyed the overwhelmingly positive response from the session I took part in. - I validated how OONA OTT TV in Indonesia is disrupting with models that will help the media industry by 1. Growing within the market; and 2. Monetizing in a smart way that generates win-win situation for all concerned: the consumers, the telcoms, and the studios and content holders.

Like myself, everyone I spoke to, cannot wait for CASBAA'S Asia Video Summit 2019 - see you there!


Tuesday, 30 October 2018

Piracy Wars – Now OONA Free OTT TV Offers a Solution


                                Image credit: Jakarta globe

"Digital film piracy is the biggest single threat to the development of our film industry" [1]

Last year, the great Indonesian film industry reportedly fell victim to a massive $107 billion piracy sting. In fact, research undertaken by the Institute for Economics and Social Research at the University of Indonesia (LPEM-UI), shows that this was due to DVD and content piracy in just four Indonesian cities.

Chaikal Nuryakin, the study's senior researcher, said that the study was confined to Jakarta, Bogor (West Java), Medan (North Sumatra), and Deli Serdang (North Sumatra). Of note, Chaikal said the study: “also projected that bringing the research to 30 more cities across Indonesia would likely drive up the total loss figure [by another 35.6 billion]” [1]. This represents a totally unacceptable loss for the both film industry, and its associated industries.

As Andrea Tejokusumo, from Trinity Western University notes: “Digital piracy has been and continues to be a major issue in the Indonesian copyright and IP landscape, owing to a number of factors including collectivism, lack of clear regulations, and [a lack of] enforcement against unlawful breaches of copyright” [2]. However, things are changing, and “the new copyright law [that came into force in 2014, is being regarded] as a promising step toward improving Indonesia's IP landscape” [2]. Moreover, the emergence of OONA's cutting-edge free OTT mobile TV, on the scene in 2018, is a major step towards drowning the pirates for good.

OONA, which is mainly funded by personalised ads, offers a lot of interactive fun, and even rewards viewers for their loyalty with its virtual currency (tcoins), which can be redeemed for branded goods and services, fun days out, meals, discounts, free phone minutes and telcom products. - All they have to do is to watch and share their favourite live and on-demand content, and interact with Siskabot – the cool AI bot, who is there to serve them, and personalise their content and ad experience. - This means that they watch what they love and are interested in; and when it comes to ads, only be shown the ones that can save them time and money.

  One of the many digital billboards across Indonesia advertising free mobile TV on OONA

The Pirate Downloading Demographic

The research indicates that the Indonesians who are downloading illegal online films and buying pirated DVDs, are within the 15 to 45 age category. Chaikal commented that they: "are drawn to pirated content because it’s cheap, and for those in remote areas it's the only way to watch films" [1]. Fortunately, OONA Indonesia in partnership with telcom giant, Telkom Indonesia, plans to change all this by offering 185 million people first-class broadcast-quality, data-free and subscription-free live and on demand TV, that can be watched anytime, any where.



Further, Fauzan Zidni, the chairman of the Indonesian Film Producers Association, noted that: “Indonesia, with a population of more than 250 million people, only have 1,117 cinema screens (one screen per 224,000 people), and more than a third of them are located in the Greater Jakarta area” [1]. To that end, being able to watch free exciting content on over 200 top national and international channels via the OONA platform, is a real turning point for a large percentage of the population, and a major thrust towards protecting the copyright of studios and content holders.

A Common Practice That Will Eventually Come to an End

The research undertaken by LPEM-UI also uncovered the fact that a large percentage of Indonesians do not realise that they are breaking the law whenever they watch films and other content which has been illegally distributed. Chaikal remarked that: "People keep buying pirated DVDs and download illegally because they see their friends doing the same, they think the practice is totally acceptable. Everyone can download and redistribute pirated content on social media. [They] no longer watch movies in the cinemas. They can do it in just one click. This definitely hurts the film industry" [1]. But these people are no longer beholden to having to go rogue with the pirate sites. - They have a far better, and legal option - they have OONA. Now they can now download the OONA app, and click on: movies, series, live sports, combat specials, motoring shows, cookery channels, fashion, cartoons, comedy, documentaries, educational broadcasts, local and world news, and other exciting content. And they even get virtual currency rewards just for being part of the OONA phenomenon!

The Major Problem With Subscriptions

Indonesian DVDs on the pirate trail can be purchased at up to 10 times less than the originals, although the quality is likely to be abominable. Moreover, Hulu, Iflix, HOOK and other streaming services, are unable to contend, as it is still more expensive to subscribe to them than to pay out money for pirated DVDs. But thanks to the over-the-top OONA free TV revolution, and OONA's ethos for doing social good, this will no longer be the case.

Taking Action

Fauzan, the chairman of Aprofi, noted that last year, the Indonesian Justice and Human Rights Ministry successfully took down over 324 websites which were violating copyright. Yet, when it comes to piracy, the root of the problem is often due to the perspective of the general public. Last year, in order to produce an anti-piracy crusade to educate the general public about the huge cost of piracy, the Association of Indonesian Film Producers (Aprofi), joined forces with:the Justice and Human Rights Ministry, the Communication and Information Technology Ministry, and the Indonesian Cineplex chain XXI. Fauzan remarked that: “They're getting the message, slowly" [1].

Taking a global overview, the scenario is pretty much the same everywhere. And of course, the losses are staggering. For example, as reported by Forbes, in 2014:  "Expendables 3 lost about $100 million dollars due to piracy" [3]. Moreover, the film's producer, Avi Lerner, stated that: “If piracy continues to be rampant like this, then in four to five years it will be the end of the independent film business as we know it, and the studios will be making way less films then they do now” [3]. Fast forward, and we see that movie studios and production companies are far less likely to lend independent film makers the funds to produce independent films [5].



About OONA

OONA has rapidly become a premiere distribution company, and is regarded as one of the major players in the ever expanding world of digital entertainment. OONA's data-free and subscription-free service can be instrumental in helping to eradicate piracy across the globe. Now, pirate site users no longer have to risk breaking the law and being penalised. Moreover, they can save hours of their valuable time every week, by saying "adios" to endlessly scrolling through various pirate sites for what they would like to watch. 

OONA is also on course to provide its state-of-the-art free (and premium service), to consumers in other parts of Asia, Africa, South America, the Middle East, the US and Europe.


                                            Image credit: Devian Tart

References

[1]. Diella, Yasmin (2018). “Piracy Still Scourge of Indonesia's Film Industry.” Jakarta Globe. https://jakartaglobe.id/features/piracy-still-scourge-indonesias-film-industry/ Accessed 25 Oct. 2018.

[2]. Tejokusumo, Andrea. (2014). “Challenges and regulatory changes in addressing digital piracy in Indonesia”. Researchgate. https://www.researchgate.net/publication/272418091_Challenges_and_regulatory_changes_in_addressing_digital_piracy_in_Indonesia Accessed 25 Oct. 2018.

[3]. Grandos, Nelson (2015). "How Piracy Is Still Hurting The Filmmakers And Artists You Admire."

[4]. Levy, Davinia (2016). "Is piracy democratizing entertainment or destroying it?." The World Bank. https://blogs.worldbank.org/publicsphere/piracy-democratizing-entertainment-or-destroying-it Accessed 25 Oct. 2018.




Sunday, 28 October 2018

OONA Indonesia TV Sets the Stage For Up to 300 Channels

OONA, the cutting-edge, free mobile entertainment platform which rewards users, is set to serve 185 million Indonesians in conjunction with Telkom Indonesia. Now, it has just taken a further leap towards reaching its goal of providing 300 top national and international channels.

As noted by Yahoo Finance, with the OONA app, Metranet (a subsidiary of Telkom Indonesia), is instrumental in providing “the country's mobile subscribers with the next generation OTT service, streaming the best TV entertainment, with free access to current-season shows from local TV stations as well as the largest US and European broadcast networks” [1].


OONA's OTT Innovation that is Set to Span Continents

The OONA app which delivers first-class live and on-demand broadcast quality AVOD and premium option entertainment, was devised by leading digital strategist, Christophe Hochart, the founder and CEO of OONA. “ The platform brings innovative user experiences with built-in features like chat bots, chat with other viewers, offline caching, parental controls, screen capture with drawing and sticker editing, virtual wallet, and a 360-video player” [2], in addition to an unrivaled rewards program that pays back the loyalty of its consumers. Due to its innovative business model for telcoms, studios and content holders, OONA is also on course to provide its free and premium service to consumers in other parts of Asia, Africa, South America, the Middle East, the US and Europe.

Now, Metranet has just signed a Cooperation Agreement with various content partners, such as Cumi-Squid, Sequilla, Bali TV and Muvinow. - This has brought OONA users' channel choices to 150-plus [2], and this number is expected to quickly rise by at least another 50, bringing it up to 200-plus. On the OONA platform, there are various categories such as Action, Sports, Combat, Cookery, and so on, and these list all the films within each genre, so that viewers do not have to waste any time, and can get what they want in a flash.

OONA – Contributing to Indonesia's Digital Economy”

Metranet's Managing Director, Widi Nugroho, thanked all the content partners who have joined forces with OONA, “a TV viewing platform that can provide value to content owners and users. [Moreover], the features presented not only make OONA able to present TV and VOD broadcasting solutions, OONA is also able to become an enabler for a shared economy” [2]. During a recent press release,Widi stated: "We hope this concept can contribute to strengthening the creative digital economy in Indonesia, and especially to the ecosystem that we build” [2].


OONA TV – The Massive Value, Benefits & Advantages”

It is not possible to separate OONA's strong ability for driving public enthusiasm “from the high relevance between value, benefits, and the advantages of OONA with the current trends in the needs and lifestyles of digital generations” [2]. Moreover, an overview of OONA's data, indicates that when it comes to watching TV shows for their entertainment and information, the consumption by generations Y and Z, still ranks at the number one slot, regardless of the fact that the tendency of accessing these things from televisions is in decline. Further, this decreasing trend is associated with a rise in the users' daily internet usage [2].

When it comes to the multiple reasons why Gen Y and Z go on the internet, research shows that this includes: reading the news, looking for employment, socializing on various media such as Instagram and Facebook, watching streaming TV broadcasts, and viewing ads about interesting products [2]. Clearly, from the business world's perspective, the last three findings make considering OONA as a promotional medium, a very interesting, and potentially rewarding perspective.

Surf's Up

With regard to the choice of devices that consumers employ to surf cyberspace: smartphones and tablets come up at the top of the list, notebooks come in at third place, and desktop computers are at number four. "This is in line with other facts which confirm that millennial generation is a practical generation and does not want to bother" [2].

"OONA has a unique approach that is able to connect the interests of users, merchants, and the business world" [2]

Setyo Budianto, Metranet's Business Development Director, noted that: "This application was presented as a new way to watch television shows for the people of Indonesia. - Especially the digital generation that has high mobility, wants the latest information, enjoys digital socialization, and always relies on smartphone support for their activities" [2].

OONA's Innovative and Interesting Features


An AI With a Difference

Users regularly interact with Siskabot, the platform's patented AI, who serves as a personal assistant to make users' CX, the very best. These short sessions fuel two purposes: determining the consumers' favourite content. And discussing the types of branded goods and services that they are interested in, so that along with deep data from other advanced collection methods, OONA can arrange the most appropriate and interesting ads for them to watch. This in turn, can save them time, and get them a good deal which can save them money, thereby cementing consumer trust and loyalty.


tcoins Galore

tcoins - OONA's virtual currency, make interacting on OONA a fun and rewarding customer experience that is head and shoulders above other platforms. Users can easily earn tcoins, which are stored in a virtual wallet, by: interacting with Siskabot, watching content and ads, sharing their favourite programs, series and films, and inviting others to download the OONA app. The tcoins are stored in a virtual wallet, and can be redeemed for a huge variety of branded goods and services, fun days out, meals, discounts, phone minutes, and other telkom products.


Fun Tools

Users can have fun by taking interesting screen captures, embellishing them with editing tools and stickers, and then sharing them on social media. 

Setyo also commented that: "Advertising is one of OONA's main revenue sources, and so display ads can be utilized by the business world in order to conduct effective promotional activities. [Further], as business people within the digital industry, we also have a high commitment in bringing new benefits through innovations that we will continue to develop" [2].

Forward Strategy

One of OONA's anticipated "advantages" is the "increasing acceptance of OONA as a platform that can meet the lifestyle of each generation. Another is that OONA can add to the business of multiple [country's] economics" [2].

References



[1]. Yahoo Finance (2018). “Telkom Indonesia Selects Brightcove to Stream Live and VOD TV on OONA.” https://finance.yahoo.com/news/telkom-indonesia-selects-brightcove-stream-015500103.html



Sunday, 21 October 2018

Ad-Supported OTT Set to Rule the Digital Advertising Space

            One of the Many OONA Mobile TV billboards Across Indonesia

Looking at the omnipresent digital billboards of up-and-coming cutting-edge OTT platforms such as OONA Indonesia - which is set to serve 185 million Indonesians with its data/sub free interactive AVOD (ad-based) and premium option live and on-demand mobile entertainment, it is easy to understand why they are the biz. Research from leading analytic companies is most certainly pointing the arrow of success in the OTT direction. In just one example, Kedar Gavane, the VP of comScore, the esteemed global leader for the cross-platform measurement of audiences, consumer behaviour and advertising, stated that: "Ad-supported OTT will take the largest pie of digital advertising, [and] there will be an upcoming category of digital-outdoor advertising at the hyperlocal/city level, spurred by the increasing usage of on-demand apps” [1].

Taking the platform at the 2018 Digipub World convention, Kedar discussed some of the digital media industry's predominant trends. Citing the transformations in India, which have also been happening globally, he stated that: “Publishers are trying to increase mobile consumption of their content, up their monetisation game, and better leverage the opportunity that programmatic brings. Agencies, in turn, are busy restructuring and up-skilling in a bid to better embrace the digital world” [1].

Kedar notes that brands have still got some way to go before they achieve optimum success. They are either too self-satisfied, or else too enthusiastic in their drive to be part the viewers' digital journey. For Kedar, the largest inadequacy is on the brand front: “Brands that don't participate in digital today, will miss a generation, he cautions. About 70 per cent of today's internet population comprises millennials, including members of Gen-Z” [1].

So who exactly are Netizens? - Well, these are the ever growing number of individuals who spent a great deal of their days and evenings online. They prefer online brands, make their purchases online; and when it comes to making choices, they are highly influenced by tech. In fact: "Around 75 per cent of the (total) time spent on digital, is from millennials making brand choices today that will remain with them over the next two decades” [1].

Image credit: itvt

Connecting is the Name of the Game

It has now become crucial for brands to connect with their target market in different ways. OTT advertising is one of the huge doors which brands can open to enter into the rich world of treasured millennials. Moreover, it is also interesting to note that many millennials mistakenly think that online brands are the only ones in today's market.

Kedar noted that: “In the coming days, ad-supported OTT will take the largest pie of digital advertising... [and] this category is closer to taking away television dollars (than any other category)” [1]. OONA OTT Global TV is an excellent case in point.


Getting An Insight From OONA Global's Strategy

OONA TV's business model behind the application as a Virtual TV Operator, has been taking Indonesia by storm ever since its successful partnership with Telkom Indonesia. And it is well on course for expansion into other parts of Asia, Africa, South America, the Middle East, the US and Europe.

The founder and CEO of OONA, leading digital strategist, Christophe Hochart, has a clear understanding of the challenges and what needs to be done to drive OTT, so it becomes bigger, better, and more successful. Being mindful of the fact that time-shifted audiences and progressively divided viewers present advertisers with huge challenges to connect with the right consumers, Hochart devised a unique method to collect far richer data than that obtained by conventional methods.

Empowering Advertisers & Content Holders the OONA Way

The OONA data collection strategy empowers advertisers so they can present different/personalised adverts to contrasting audience segments when viewers are looking at the same programming. Hochart offers this holy grail solution of showing highly targeted personalised ads by drawing deep and up-to-date data from a combination of three sources: 1. OONA's unique patented genie in the app, who regularly chats with users. 2. Programmatic advertising. And 3. Standard data collection methods.

The Winning Way to Monitization

The broadcaster, TV channels and content holders which partner with OONA, are able to monetize their content assets and live feed via a new format of programmatic advertising which does not affect user TV viewing time and experience. The can also have a direct relationship with their audience via OONA's multiple functions, enjoy 100% control, and receive 100% audience data in real time (views, engagement, time of viewing, preferences, and so on).

Taking a Cutting-Edge AI Approach

OONA creates a deep personal one-to-one experience between the user and the world first AI genie in the app, Siskabot, in order to provide important data which is necessary for successful ad targeting. It also enables consumers to engage with the ads that interest them, so they can save time, and get a good deal and save money, not to mention rewards in the form of tcoins.


tcoins

tcoins is an exciting virtual currency for loyal OONA Indonesia viewers. The latter receive these rewards just for watching content and ads, passing on referral codes on social media, connecting with Siskabot, and watching and sharing the programs and ads they enjoy. These tcoins can be redeemed for branded goods and services, meals, fun days out, holistic health treatments, all kinds of discounts, and free phone minutes and telcom products. Further, tcoin collectors even stand a change of winning regular prizes such as the hottest mobile phones, or cool motorbikes, with OONA's daily bid n'win challenge.


Siskabot appears in person when the app is downloaded, and has regular conversations with each user to:

1. Find out the exact type of entertainment content they love, such as series, films, action, comedy, fashion, celebrity news, cartoons, cookery, combat, live sports, motors and bikes, educational programs, documentaries, news, etc.

2. To discover what kind of branded products they would chose, and the cool video and other type of ads they would like to see.

As OONA viewers are rewarded with tcoins for interacting with Siskabot, this means that a note of everything they want in terms of branded products and viewing content, is kept up to date. Further, everyone who uses the OONA platform is safe in the knowledge that OONA operates with complete transparency, and all users' data is kept strictly confidential. So the synergy of programmatic and standard data gathering with the deep data provided OONA's Siskabot, is a winning combination.


In summary, thanks to innovators who look outside the box, ad-supported OTT video platforms such as OONA, are not only providing a first-class interactive entertainment service plus benefits, to countless millions of consumers, they are also paving the way for brands to have the level of success that they once only dreamed of. 


Reference

Gangal, Ashwini (2018). “Ad-supported OTT will take the largest pie of digital advertising": Kedar Gavane, comScore.” Afaqs. http://www.afaqs.com/news/story/53773_Ad-supported-OTT-will-take-the-largest-pie-of-digital-advertising-Kedar-Gavane-comScore


Tuesday, 16 October 2018

Poor Streaming Video Quality Drives Viewers Away Within 90 Seconds

                                Image credit: Do It Yourself

Live streaming (live events and 24/7 live linear), seems to be constantly in the news. Yet research just in from leading real-time IP video solutions provider, Phenix, highlights the fact that: “even though real-time content is now a huge differentiator for service providers, more than a quarter of streaming service users won’t pay for live content due to poor quality” [1]. This consumer stance is however, quite reasonable, and if the percentage was even higher, it would not be surprising.


            Image credit: Rapid TV News

The Streaming Wars

Phenix's Streaming Wars research (part 3): indicates that in the US, 27% of adults who use a streaming service, do not believe that it is worthwhile paying a subscription for live content - because of the consistently poor streaming quality.

Phenix, which worked on this study in conjunction with third party research firm, YouGov, conducted the research online. Further results showed that viewers are hesitant regarding the access and quality of live content. Moreover, they: "are not only cautious about their money, but also their time, as more than half (53%) would abandon a poor-quality stream in 90 seconds or less"[1]. 

Having said this, the research underscores just how crucial it is for platforms that do not offer first-class streaming quality, to take action right away, before they suffer a massive migration of users, and huge dip in revenue. They need to emulate successful platforms such as OONA OTT Mobile TV. - OONA  makes their streaming quality and delivery, a second to none priority, by supporting the same quality level for live video streaming, as what is expected from traditional broadcast television. Moreover, content providers can enjoy peace of mind knowing they can deliver high-quality streaming that pleases their viewers every time. And just as with OONA, this guarantees customer satisfaction and loyalty.

Buffering & Delays

"More than a third of people said they would give a streaming video one-minute-tops to improve issues like lag time before giving up and turning it off" [1]

There is nothing worse than a video buffering right at a crucial moment. The Streaming Wars research certainly puts the spotlight on the fact that, at the present time, buffering and delays are far more than simply an inconvenient part of the streaming experience - they are a total turn-off. - Moreover, they have a knock-on effect on the way that some viewers decide to keep their wallets tightly shut.

Over one fifth (21%) of the study respondents do not stream live content more frequently, simply because they are not prepared to put up with the unwelcome buffering and delays. Close to 3/5ths of consumers who are signed up to a streaming service would be bolstered to switch to an alternative platform if it offered a superior live option. And interestingly, 11% of  streaming service users watch content on a platform that incorporates a live option, but have not watched it yet [1].



Consumer's Demands Need to be Met

Service providers have to address the fact that today's viewers expect to enjoy an excellent customer experience - and a large part of this is quality streaming. Indeed, Phenix stresses that this new survey makes it crystal clear how essential it is for providers to perfect their back-end tech in order to gain a steady flow of subscriber dollars [1].

Just Not Interested

The study also indicates that a third of responders were not interested in paying extra money just for streaming live content; and that at the present time, close to 50% of those who have streaming services, do not want to shell out over $5 a month on subs for live content [1].

Survival of the Fittest

The co-founder and CEO of Phenix, Stefan Birrer, noted that: “We’re in the midst of an industry shift, seeing live-content offerings surface from platforms traditionally known for streaming pre-developed programming, like Hulu and YouTube, with many more to follow” [1], and remarked that this has made live "become the ‘survival of the fittest’ trait for streaming platform" [1].

Negating the Risk of Loosing Big Money 

Whether it is subscriptions for entertainment, or upcoming betting platforms (which are predicted to rake in $150 billion): "a stream that lags behind makes it impossible to engage in the way that consumers need" [1].  As Birrer, points out, across all spheres, particularly in the case of interactive content such as esports and sports: ‘live streaming’ "can only become a true differentiator once we make it a real-time experience by removing delays and buffering. We need an industry-wide technological overhaul to achieve the lofty sights we’ve set” [1].

OONA Global TV - Making Streaming Video Quality a Priority
"OONA Set to Deliver a Cutting-Edge Mobile TV Experience to 185 Million Indonesians"


OONA, the cutting-edge OTT AVOD (and premium option) mobile platform, is in the process of offering fantastic free interactive entertainment, and top content and live TV to billions of people in Asia, Africa, South America, the Middle East, the US and Europe. Its most recent high tech upgrade offers a ready to launch business to telecoms. This enables them to leverage their network infrastructure and user base, so they can substantially multiply their mobile television business.

OONA, the brain child of leading digital strategist, and CEO, Christophe Hochart, is an AVOD and SVOD OTT service offering, which is geared to ramp up and revolutionise the viewing pleasure and TV distribution for 185 million Telkom Indonesia subscribers across the nation [2] [3]. Further, the world's leading video cloud service provider, Brightcove (NASDAQ: BCOV), has recently announced that Metranet, a subsidiary of Telkom Indonesia, has selected its video platform to launch OONA Indonesia - the hugely popular mobile app which is custom designed to provide personalised live linear and VOD entertainment to consumers on the go.
The Next Generation OTT Service

With this state-of-the-art app, courtesy of OONA, Metranet is now able to provide the region’s mobile consumers with the next generation OTT service. This will empower them to stream top quality TV entertainment with data/sub-free access to current season shows from leading international and local TV stations and broadcast networks. The OONA app is engineered to give users an out-of-the-box innovative experience with built-in features and rewards including: a chat bot (which personalises their content and ads), a 360-video player, a fun streaming chat line to interact with other viewers, parental controls, offline data storage, screen capture with cool editing tools, and a virtual currency wallet to store tcoin rewards which can be accrued for connecting with the chatbot and watching and sharing content. The rewards can then be redeemed for must have branded goods and services, meals, fun days out, discounts, and free phone minutes and telcom products [2] [3].


The OONA app's live and on-demand video experience will be underpinned by Brightcove's video platform. It will stream 60-plus live channels, and provide video adverts with SSAI (server-side ad insertion technology) to guarantee a broadcast-like seamless ad experience [2]. The CEO of Metranet, Widi Nugroho, stated that: “Metranet is excited to be the first to launch OONA for Indonesian market as part of our goal to bring first-class entertainment to Telkom Indonesia’s mobile customer base. With [so many] potential viewers, we understand the pressure is intense to ensure that even with free content, the streaming experience for the user needs to be exceptional and the advertising experience should be seamless. This is why we selected Brightcove for their robust and scalable OTT video streaming architecture, industry-leading server-side ad insertion technology, proven track record of working with some of the world’s top OTT service providers, and established in-region technical support team” [2]. 

Further, Brightcove Asia's VP, Ben Morrell, proclaimed that: “OONA is the future of OTT and a game-changer for Telkom Indonesia and viewers in Indonesia, where great content, delivered on mobile, and monetised via an ad-funded model has hit the sweet spot. We are excited to be powering an OTT platform that combines the power of live and linear TV experience in one” [2].




Summary

In summary, streaming video platforms have to put their focus on customer experience, otherwise their bottom line will be seriously damaged. They must rectify any delays and buffering by using state-of-the-art tech solutions, and not expect their viewers to have to put up with it - they won't!

References


[2]. Brightcove (2018). "Telkom Indonesia Selects Brightcove to Stream Live and VOD TV on OONA." https://www.brightcove.com/en/company/press/telkom-indonesia-selects-brightcove-stream-live-and-vod-tv-oona Accessed 12 Oct. 2018.

[3]. OONA Free Mobile TV (2008). "Euro TV Operators Not Using Subscriber Data to Ensure Positive CX." https://www.blogger.com/blogger.g?rinli=1&pli=1&blogID=191005497826445827#allposts Accessed 12 Oct. 2018.

Friday, 12 October 2018

Advertisers Are Rearing to Go OTT

Image credit: Tubular Insights

Over the Top Video is the Name of the Game for Advertisers

Right now, consumers have a massive appetite for over the top advertising, and advertisers must follow their audience. In fact, "OTT ad spend will grow 40% to reach $2 billion this year" [1], according to the just released Magna US Ad Spend Forecast Fall 2018. Further, addressable television campaigns will reach $800 million in 2018 [1].

Surf's Up For OTT Investment


The OTT investment surge is down to the popularity of set-top boxes and smart televisions. - In fact, Magna, the media brands' resource which utilises its insights, forecasts and strategic relationships, to provide businesses with a competitive marketplace edge, predicts that this year alone: "84 million homes will be reachable by non-traditional TV ad campaigns" [1]. Further, Magna's EVP of global market intelligence, Vincent Letang, who authored the report, stated that: “people are still watching on an old-fashioned TV set, but not necessarily through cable or satellite” [1].

OTT - the Perfect Vehicle For Targeted TV Campaigns

When it comes to running bigger scale targeted TV campaigns, the current consumer drive towards over-the-top, presents advertisers with far greater and more interesting possibilities. Moreover, it is an advertiser's, dream come true, as it generates more banner ads on the connected TV menu, as well as other types of inventory [1].

Advertisers Need to Reach a Broader OTT Audience

As it stands, ad spending on OTT, pales when compared to America's $63 billion national linear television market. Further, regardless of improved measurement and targeting: "there’s too much fragmentation and not yet enough scale for advertisers to reach a broad audience on OTT" [1]. As Letang notes: "It’s complex at the moment, but it’s always like that in a nascent format. We have no doubt that over time, new metrics and tools will make it easier” [1]. So what is the state of play in other regions, such as Indonesia, the main player in South East Asia?


Getting An Insight From OONA Global TV's Strategy

OONA OTT TV's business model behind the application as a Virtual TV Operator, is currently taking Indonesia by storm after its successful partnership with Telkom Indonesia. - It is currently set up to provide its free cutting-edge ad-supported and premium option, mobile live and on-demand interactive entertainment service to 185 million Indonesians, and is well on course for expansion into other parts of Asia, Africa, South America, the Middle East, the US and Europe.

The founder and CEO of OONA, leading digital strategist, Christophe Hochart, has a clear understanding of the challenges and what needs to be done to drive OTT, so it becomes bigger, better, and more successful. Being mindful of the fact that time-shifted audiences and progressively divided viewers, present advertisers with huge challenges to connect with the right consumers, Hochart devised a unique method to collect far richer data than that obtained by conventional methods.

Empowering Advertisers & Content Holders the OONA Way

The OONA data collection strategy empowers advertisers so they can present different/personalised adverts to different audience segments when the viewers are looking at the same programming. Hochart offers this holy grail solution of showing highly targeted personalised ads by drawing deep and up-to-date data from a combination of three sources: 1. OONA's unique patented genie in the app, who regularly chats with users. 2. Programmatic advertising. And 3. Standard data collection methods.

The Winning Way to Monitization

The broadcaster, TV channels and content holders which partner with OONA, are able to monetize their content assets and live feed via a new format of programmatic advertising which does not affect user TV viewing time and experience. They can also have a direct relationship with their audience via OONA's multiple functions, enjoy 100% control, and receive 100% audience data in real time (views, engagement, time of viewing, preferences, and so on).

Taking a Cutting-Edge AI Approach

OONA creates a deep personal one-to-one experience between the user and the unique AI genie in the app, Siskabot, in order to provide important data which is necessary for successful ad targeting. It also enables consumers to engage with the ads that interest them, so they can save time, get a good deal and save money, not to mention rewards in the form of tcoins.


tcoins

tcoins is an exciting virtual currency for loyal OONA Indonesia viewers. The latter receive these rewards just for watching and sharing content and ads, and connecting with Siskabot, and watching and sharing programs and ad. These tcoins can be redeemed for branded good, meals, fun days out, holistic health treatments, all kinds of discounts, and telcom products.


Siskabot appears in person when the app is downloaded, and has regular conversations with each user to:
  1. Find out the exact type of entertainment content they love, such as series, films, action, comedy, fashion, celebrity news, cartoons, cookery, combat, live sports, motors and bikes, educational programs, documentaries, news, etc.
  2. To discover what kind of branded products they would chose, and the cool video and other type of ads they would like to see.
As OONA viewers are rewarded with tcoins for interacting with Siskabot, this means that a note of everything they want in terms of branded products and services, as well as the content they view, is kept up to date. Further, everyone who uses the OONA platform is safe in the knowledge that OONA operates with complete transparency, and all users' data is kept strictly confidential. So the synergy of programmatic and standard data gathering with the deep data provided OONA's Siskabot, is a winning combination. 

Thumbs Down on National Linear TV Ad Spend

In the US, national linear television advertising spend will only escalate by a miserly 1% in 2018 - a disastrous figure considering the continued loyalty from sectors such as consumer packaged goods (CPGs), auto, and big pharma. - Although this does not including the effect of cyclical content such as mid-term elections and the Winter Olympics [1].

Magna's SVP, Letang, does however, note that regardless of ratings eroding by 10-12%, television still continues to demand high prices: "National TV is still the way for brands to reach large portions of the population in a short time, to build a brand and launch a new product, the efficiency of TV for that marketing is proven and measurable” [1]. But will all that change?

Digital Rules

Cementing its power over conventional formats, for the first time in 2018: "digital will represent 51% of all ad spend and surpass the $100 billion mark" [1]. Moreover, Magna anticipates that this year, spend on digital ads will shoot up by a healthy 16% to $106 billion [1].

Mobile is King 

"By 2023, Magna predicts mobile will make up 80% of digital ad spend"

With regard to the digital sphere's mobile ad spend - this will escalate by a massive 30% to get to $70 billion, thereby surpassing linear TV.

New Marketing Opportunities Delivered By the Digital Revolution

Letang notes that the growth of digital is not just due to the decline of linear media - as direct marketing budgets also play a role. Digital is after all, generating innovative unique marketing opportunities: "[Digital ads] don’t just substitute themselves for advertising mechanisms,” he said, “they create new demand” [1].

Summary

In summary, traditional television advertising is clearly battling against mega competition from the OTT digital entertainment revolution. Consumers now expect to be able to view content anytime, anywhere - not just at home, and this is where leading OTT TV entertainment platforms such as OONA come in. Further, as Magna predicts, in just 5 short years, "mobile will make up 80% of digital ad spend" [1]. - Time will tell, but the likelihood is that this figure can only go up.


Reference

Weissbrot, Alison (2018). “Magna: OTT Will Reach $2 Billion In 2018.” Ad Exchanger. https://adexchanger.com/agencies/magna-ott-will-reach-2-billion-in-2018/  Accessed 24 Sept. 2018.



Monday, 8 October 2018

Telkom Indonesia Selects Brightcove to Stream Live and VOD TV on OONA


OONA Set to Deliver a Cutting-Edge Mobile TV Experience to 185 Million Indonesians
The world's leading video cloud service provider, Brightcove (NASDAQ: BCOV), has just announced that Metranet, a subsidiary of Telkom Indonesia, has selected its video platform to launch OONA Indonesia, a cool mobile app which is custom designed to provide personalised live linear and VOD entertainment to consumers on the go. OONA, the brain child of CEO, and leading digital strategist, Christophe Hochart, is an AVOD and SVOD OTT service offering, which is geared to ramp up and revolutionise the viewing pleasure and TV distribution for 185 million Telkom Indonesia subscribers across the nation [1] [2].
The Next Generation OTT Service

With this state-of-the-art app, courtesey of OONA, Metranet is now able to provide the region’s mobile consumers with the next generation OTT service. This will empower users to stream top quality TV entertainment, and enjoy data/sub-free access to current season shows from leading international and local TV stations and broadcast networks.

The OONA app is engineered to give users an out-of-the-box innovative experience with built-in rewards and features including: a chat bot (which personalises their content and ads), a 360-video player, a fun streaming chat line to interact with other viewers, parental controls, offline data storage, screen capture with cool editing tools, and a virtual currency wallet to store tcoin rewards which can be gained for connecting with the chatbot and watching and sharing content. The rewards can then be redeemed for must have branded goods and services, meals, fun days out, discounts, and telcom products [1] [2].



The OONA app's live and on-demand video experience will be underpinned by Brightcove's video platform. It will stream 60-plus live channels, and provide video adverts with SSAI (server-side ad insertion technology) to guarantee a broadcast-like seamless ad experience [1].
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The CEO of Metranet, Widi Nugroho, stated that: “Metranet is excited to be the first to launch OONA for the Indonesian market as part of our goal to bring first-class entertainment to Telkom Indonesia’s mobile customer base. With [so many] potential viewers, we understand the pressure is intense to ensure that even with free content, the streaming experience for the user needs to be exceptional and the advertising experience should be seamless. This is why we selected Brightcove for their robust and scalable OTT video streaming architecture, industry-leading server-side ad insertion technology, proven track record of working with some of the world’s top OTT service providers, and established in-region technical support team”  [1].
Further, Brightcove Asia's VP, Ben Morrell, proclaimed that: “OONA is the future of OTT and a game-changer for Telkom Indonesia and viewers in Indonesia, where great content, delivered on mobile, and monetised via an ad-funded model has hit the sweet spot. We are excited to be powering an OTT platform that combines the power of live and linear TV experience in one” [1].
More About OONA

OONA is a revolutionary OTT Mobile TV platform that will soon be providing fantastic entertainment including live TV, via AVOD and SVOD to billions of people in Asia, Africa, the Middle East, South America, the US and Europe.

OONA's most recent high tech upgrade offers a ready to launch business to telecoms. This enables them to leverage their network infrastructure and user base, so they can substantially multiply their mobile television business. Moreover, due to its innovative and lucrative business model for studios and content holders, OONA is in great demand all over the world. OONA is a privately held registered limited company based in Hong Kong. Read more about all the benefits that OONA offers here
References

[1]. Brightcove (2018). "Telkom Indonesia Selects Brightcove to Stream Live and VOD TV on OONA." https://www.brightcove.com/en/company/press/telkom-indonesia-selects-brightcove-stream-live-and-vod-tv-oona

[2]. OONA Free Mobile TV (2008). "Euro TV Operators Not Using Subscriber Data to Ensure Positive CX."